Abstract
The author of this article reviews the critical bibliography of the sacramental plays by Lope to show how scholars have always considered that this writer adapted elements and resources taken from his comedies into the sacramental plays. Actually, this article analyses the code of [...]Abstract
The present article provides a (neo)baroque reading of the dystopic and postapocalyptic universe of Homero Aridjis’ (Mexico, 1940) Gran teatro del fin del mundo. The use of dystopia and allegory subverts the Western anthropologic paradigm: utopias of continuous progress and triumphant [...]