Abstract

Analysing the errors committed by Calderón himself during his writing amplify the perspective on his complex composition process. The aim of this paper is to offer an initial approximation on autograph errors located in En la vida todo es verdad y todo mentira, La desdicha de la [...]

Abstract

Pedro Calderón de la Barca never ceases to work. His constant in­terest to improve or adapt his texts has produced two versions of the same play in several occasions. His autographs allow us to examine his writing process as well as the theatrical practice in Golden Age Spain. In [...]