In this paper we try to investigate the value of cosmic calderonian perspectives in La vida es sueño, showing how from the beginning of this work and through to completion of the whole of it, it is conceived as a dialectic of verticality, establishing the paradigm «down-up» as a dramatic technique in which both the symbolic dimensions of the scenery and its reflection in the moral world play a fundamental role
Abstract
In this paper we try to investigate the value of cosmic calderonian perspectives in La vida es sueño, showing how from the beginning of this work and through to completion of the whole of it, it is conceived as a dialectic of verticality, establishing the paradigm «down-up» as [...]