«The passion for order» that characterizes the Caledonian works can be seen in the optics capacity of the dramatist to produce auto sacramentales that maintain a direct correlation with the preceding pictorial works. In this line of analysis, this study presents the convergence between the allegorical linealismo visibly present in the Roman mural paintings of the region of Castile and León in Two Angels and a Holy Archbishop of anonymous artist found in the Hermitage of the Vera Cruz de Maderuelo, Segovia, of the twelfth century Spain, and the implied significance of the symbolism represented in the scenic sketches of the auto sacramental The Immunity of Consecrated Ground by Pedro Calderón de la Barca written in the early modern Spain.
Abstract
«The passion for order» that characterizes the Caledonian works can be seen in the optics capacity of the dramatist to produce auto sacramentales that maintain a direct correlation with the preceding pictorial works. In this line of analysis, this study presents the convergence [...]
In this paper we try to investigate the value of cosmic calderonian perspectives in La vida es sueño, showing how from the beginning of this work and through to completion of the whole of it, it is conceived as a dialectic of verticality, establishing the paradigm «down-up» as a dramatic technique in which both the symbolic dimensions of the scenery and its reflection in the moral world play a fundamental role
Abstract
In this paper we try to investigate the value of cosmic calderonian perspectives in La vida es sueño, showing how from the beginning of this work and through to completion of the whole of it, it is conceived as a dialectic of verticality, establishing the paradigm «down-up» as [...]
«The Passion for Order». Virtual Convergences in the Allegorical Linealismo of «Two Angels and a Holy Archbishop» and in the Theological Symbolism of the Calderonian auto sacramental 