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Abstract
This article focuses on the mechanisms and the dramatic features of the hagiographic comedies of Juan Pérez de Montalbán, from the analysis of a little-studied drama, El divino portugués, San Antonio de Padua, an excellent example of comedia de santos gender and a good example of the dramatic art of Pérez de Montalbán.
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Published on 01/01/2015
Volume 3, Issue 2, 2015
Licence: CC BY-NC-SA license
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