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Abstract
In some Calderón’s autos sacramentales the character of the Devil draws the plot and establishes the dramatic action as a demiurge. He elaborates plans and strategies to confuse the Man, but he always fails. This function approaches the autos to the metatheater. Finally certain parallels with Shakespeare are suggested.
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Published on 01/01/2014
Volume 2, Issue 1, 2014
Licence: CC BY-NC-SA license
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