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Abstract
This article analyzes the production of Calderon’s comedia Antes que todo es mi dama, directed by Adolfo Marsillach in 1987 and its rupture with the modern tradition of staging Golden Age classical plays in Spain. This analysis studies the scenic and interpretative mechanisms used to establish an ironical dialogue with the generic conventions of the cloak and dagger comedia genre.
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Published on 01/01/2014
Volume 2, Issue 1, 2014
Licence: CC BY-NC-SA license
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