Documents published in Scipedia

• Authority and innovation in Luis de Zapata’s Ars poetica translation

  I. Cachón

  Revista Test Hipogrifo (2016). Vol. 4, (1), 1

  
  

  Abstract

  Horace’ Ars poetica experienced up to four different Spanish translations, adaptations and/or scholium in the last decade of the 16th century: Vicente Espinel’s (1591), Luis de Zapata’s (1592), Juan Villén de Viedma’s (1599) and Jaime Juan Falcó’s (1600). Luis de Zapata’s translation, published in Lisbon, tried to be the most faithful to the original Latin version and also it tried to respect, as far as possible, Horace’s main use of language theory. Zapata’s idea on the translation process anticipates some further ideas which did not yet have strong roots in Spain. His translation foreshadows some of them but they did not find too much enthusiasm among his contemporaries. This paper aims to review this largely unknown Horatian translation.

  Abstract
  Horace’ Ars poetica experienced up to four different Spanish translations, adaptations and/or scholium in the last decade of the 16th century: Vicente Espinel’s (1591), [...]

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• The Long History of the «Tesoro de las dos lenguas española y francesa» of César Oudin (ed. princeps: 1607): Between Authority and Innovation

  M. Zuili

  Revista Test Hipogrifo (2016). Vol. 4, (1), 1

  
  

  Abstract

  The purpose of this work is to examine the long history of the Tesoro de las dos lenguas española y francesa by César Oudin, eight editions of which were published between 1607 and 1675. Our research shows that the French hispanist used a considerable number of lexicographical sources, which were earlier authoritative works of reference. These were the dictionaries by Nebrija, Cristóbal de las Casas, Heinrich Hornkens and Jean Palet. However, Oudin enriched these sources to such a point that his Tesoro… became an innovative piece of work which, in its turn, would later become a model for a great many lexicographers such as Lorenzo Franciosini, César-Joachim Trognesius, Arnaldo De la Porte, Nicolas Mez de Braidenbach and Francisco Sobrino. This is the reason why César Oudin’s dictionary can be definitly said to pertain to the authority of tradition while also relating to the power of innovation.

  Abstract
  The purpose of this work is to examine the long history of the Tesoro de las dos lenguas española y francesa by César Oudin, eight editions of which were published between [...]

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• The Letters and Memorials Written by Alonso de Medina: Is It Possible to Speak of a «Sense of the Creole» During the XVIth Century?

  I. Reyna

  Revista Test Hipogrifo (2016). Vol. 4, (1), 1

  
  

  Abstract

  The article suggests that an early «creole identity» can be observed in some of the early colonizers of the Viceroyalty of Peru. Following the argument elaborated by José Antonio Mazzotti regarding the presence of a proto-creole identity that preceded the creoles in the Andean region, and seeing indigenismo , (understanding indigenismo as a «current of opinion favorable to the Indians» as Henri Favre defines the movement) as one of the characteristics of this proto-creole identity , this article tries to find in the letters and memorials written by Alonso de Medina hints of this identity, which can be perceived in the constant preoccupation for the well-being of the indigenous population depicted in his letters and memorials.

  Abstract
  The article suggests that an early «creole identity» can be observed in some of the early colonizers of the Viceroyalty of Peru. Following the argument elaborated by José [...]

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• Berganza and Pedro de Urdemalas, Two Cervantin Characters Walk on the Stage

  A. Puche

  Revista Test Hipogrifo (2013). Vol. 1, (2), 1

  
  

  Abstract

  The author as a theatre director, compares Pedro de Urdemalas, the principal hero of Cervante’s comedy, with Berganza, from the Converstaion of the Dogs. In the parallel of these two meta-theatrical works, he establishes some differences between the dramatic and the phililogical analysis.

  Abstract
  The author as a theatre director, compares Pedro de Urdemalas, the principal hero of Cervante’s comedy, with Berganza, from the Converstaion of the Dogs. In the parallel [...]

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• Páginas previas de Hipogrifo 5.2, 2017

  M. Cereceda

  Revista Test Hipogrifo (2017). Vol. 5, (2), 1

  
  

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• A modo de introducción. «El auto sacramental: de Lope a Calderón»

  D. Lueiro, . Enrique

  Revista Test Hipogrifo (2019). Vol. 5, (2), 1

  
  

  Abstract
  A modo de introducción. «El auto sacramental: de Lope a Calderón»

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• Fundaments for the Critical Edition and Study of Lyric Poetry by the Playwright Bances Candamo

  B. Pérez

  Revista Test Hipogrifo (2017). Vol. 5, (2), 1

  
  

  Abstract

  The lyric Poetry by Bances Candamos is needed of a critical edition and a detailed study for its evaluation. With this aim, this article offers the basis for its turn of the century context, the textual transmission and its typology.

  Abstract
  The lyric Poetry by Bances Candamos is needed of a critical edition and a detailed study for its evaluation. With this aim, this article offers the basis for its turn of the [...]

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• Review of Fernández Mosquera, Santiago, Calderón: texto, reescritura, significado y representación, Madrid/Frankfurt am Main, Iberoamericana/Vervuert , 2015, 354 pp. ISBN: 978-84-8489-897-9 (Iberoamericana) / 978-3-95487-438-5 (Vervuert)

  C. Ribes

  Revista Test Hipogrifo (2017). Vol. 5, (2), 1

  
  

  Abstract

  Review of Fernández Mosquera, Santiago, Calderón: texto, reescritura, significado y representación, Madrid/Frankfurt am Main, Iberoamericana/Vervuert , 2015, 354 pp. ISBN: 978-84-8489-897-9 (Iberoamericana) / 978-3-95487-438-5 (Vervuert)

  Abstract
  Review of Fernández Mosquera, Santiago, Calderón: texto, reescritura, significado y representación, Madrid/Frankfurt am Main, Iberoamericana/Vervuert , 2015, 354 pp. ISBN: [...]

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• «La bella malmaridada» in Lope’s Sacramental play «La adúltera perdonada». From Medieval Condemnation to Sacramental Forgiveness Revisiting its Comedy

  M. Nogués

  Revista Test Hipogrifo (2017). Vol. 5, (2), 1

  
  

  Abstract

  The author of this article analyses the medieval romance with the theme of La bella malmaridada, the woman unfaithful, and studies the evolution of this topic so far until the Sacramental play by Lope de Vega La adúltera perdonada. It is also considered a comedy by Lope with the same title. The intention of this article is a close examination to the character of the wife, her husband and the marriage context from the Middle Ages. Dealing with these aspects, Lope proposes different solutions to the conflict presented as it is analysed.

  Abstract
  The author of this article analyses the medieval romance with the theme of La bella malmaridada, the woman unfaithful, and studies the evolution of this topic so far until [...]

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• Of Herbs, Animals and other Poisons: Magical Renewal in «El peregrino indiano» by Antonio Saavedra Guzmán

  R. Marrero-Fente

  Revista Test Hipogrifo (2017). Vol. 5, (2), 1

  
  

  Abstract

  El peregrino indiano by Antonio de Saavedra Guzmán incorporates new substances into the magic spell. In addition to La Araucana, there are ingredients that come from other discursive traditions: the Renaissance treatises of natural history, the Bible, bestiaries, emblematic literature, magic and grimoires.

  Abstract
  El peregrino indiano by Antonio de Saavedra Guzmán incorporates new substances into the magic spell. In addition to La Araucana, there are ingredients that come from other [...]

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