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• Páginas previas de Hipogrifo 4.1, 2016

  M. Insúa

  Revista Test Hipogrifo (2016). Vol. 4, (1), 1

  
  

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• The «Certamen Contra Certamen»: a Literary Controversy in Late 17th Century Salamanca

  B. Vidal

  Revista Test Hipogrifo (2016). Vol. 4, (2), 1

  
  

  Abstract

  The festive background of late Baroque Spain has been until not long ago considerably ignored by the critics, which is why it has become mandatory to delve into the study of the various manifestations that arise in this period, like gallos, the vejamen or the justas poéticas. It is the case of the Justa poética sagrada, celebrated in Salamanca in 1691 to commemorate the canonization of san Juan de Sahagún and whose call cause the Certamen contra Certamen, a satirical reply and opposed to the event celebrated in the Colegio de San Bartolomé. This article aims to examine the printed documents which appears after the Certamen contra Certamen, as well the context which arises, as in the controversy emerged with the justa, considering that whose news, both contemporary and posterior are scarce.

  Abstract
  The festive background of late Baroque Spain has been until not long ago considerably ignored by the critics, which is why it has become mandatory to delve into the study [...]

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• Fray Julian Garces. The Defender of the Indians (1527-1542)

  J. Andreu

  Revista Test Hipogrifo (2016). Vol. 4, (2), 1

  
  

  Abstract

  Julian Garcés was the first bishop of Puebla de los Ángeles, playing a fundamental role in the founding of the new city, in a territory where the indigenous population was considerable and where the evangelization was just beginning. Despite his advanced age, fray Julian Garcés managed not only to found one of the most important cities of New Spain, but assisting in the protection of the natives, against the abuses of greedy conquerors. This research aims to show, by the historical and legal analysis and documentary technique, part of the work of this eminent prelate, who not only shape the city of Puebla de los Ángeles, but the protection of indigenous natives of the new world.

  Abstract
  Julian Garcés was the first bishop of Puebla de los Ángeles, playing a fundamental role in the founding of the new city, in a territory where the indigenous population was [...]

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• «Theater of Sorrows»: Rhetoric and Space in Francisco Romero's «Llanto Sagrado de la América Meridional»

  J. García

  Revista Test Hipogrifo (2016). Vol. 4, (2), 1

  
  

  Abstract

  This article aims to analyze the text entitled Llanto sagrado de la América Meridional written by the Augustinian friar Francisco Romero. The work presents a kind of spiritual mapping of american land. Therefore, the text divides the territory of the continent according to their proximity or remoteness from the true faith. Our main objective will be to examine the rhetorical mechanisms that lie behind this description of the Indian space.

  Abstract
  This article aims to analyze the text entitled Llanto sagrado de la América Meridional written by the Augustinian friar Francisco Romero. The work presents a kind of spiritual [...]

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• Review of Luis de Miranda, «Romance», ed. Silvia Tieffemberg, Madrid/Frankfurt/Pamplona, Iberoamericana/Vervuert/Universidad de Navarra, 2014, 196 pp. ISBN 978-84-8489-832-0

  S. Rueda

  Revista Test Hipogrifo (2016). Vol. 4, (2), 1

  
  

  Abstract

  Review of Luis de Miranda, Romance, ed. Silvia Tieffemberg, Madrid/Frankfurt/Pamplona, Iberoamericana/Vervuert/Universidad de Navarra, 2014, 196 pp.  ISBN 978-84-8489-832-0

  Abstract
  Review of Luis de Miranda, Romance, ed. Silvia Tieffemberg, Madrid/Frankfurt/Pamplona, Iberoamericana/Vervuert/Universidad de Navarra, 2014, 196 pp.  ISBN 978-84-8489-832[...]

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• On the Inaccuracies of Calderón

  P. Castiñeira

  Revista Test Hipogrifo (2016). Vol. 4, (2), 1

  
  

  Abstract

  Analysing the errors committed by Calderón himself during his writing amplify the perspective on his complex composition process. The aim of this paper is to offer an initial approximation on autograph errors located in En la vida todo es verdad y todo mentira, La desdicha de la voz and Cada uno para sí. A first typology considering its production, its magnitude and its posterior survival is deduced from the examples exposed.

  Abstract
  Analysing the errors committed by Calderón himself during his writing amplify the perspective on his complex composition process. The aim of this paper is to offer an initial [...]

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• Góngora and his Lady. Another Go at «De pura honestidad templo sagrado»

  D. Waissbein

  Revista Test Hipogrifo (2016). Vol. 4, (2), 1

  
  

  Abstract

  Giulia Poggi denies, in a recent study, that «De pura honestidad templo sagrado» describes the small sculpture of the Virgin of Villaviciosa in the Cathedral-Mosque of Córdoba, as suggested by me in 2010, and insists in the supposedly amatory character of the sonnet. In the following pages I demonstrate that neither of the two main arguments adduced by Poggi, a restrictive view of intertextuality, and an arbitrary summary of Pineda’s censorship comments, allow us to decide the point. Lastly, I indicate the comprehension mistakes of some lines of the sonnet by the Italian critic, which have led her astray; and I add some new factual information, related in part to Góngora’s converso condition, recently demonstrated, which strengthen the views that Poggi attempts to deny.

  Abstract
  Giulia Poggi denies, in a recent study, that «De pura honestidad templo sagrado» describes the small sculpture of the Virgin of Villaviciosa in the Cathedral-Mosque of Córdoba, [...]

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• «Lope» by Andrucha Waddington: a biography of the «Fénix» for the silver screen

  A. Carmona

  Revista Test Hipogrifo (2016). Vol. 4, (2), 1

  
  

  Abstract

  Biopics of writers abound in cinema; however, of all the canonical Spanish Golden Age authors, only Lope’s biography has attracted cinematographic attention. In this paper we analyse the way the Fénix is presented in Lope, by Andrucha Waddington (2010), the last biopic of the author, in which reality and fiction intertwine to show the life of the «primer Lope». We show that the image of the poet in Waddington’s film is drawn from features created both by Lope himself and other authors, and that some of these particular features contribute to dilute the singularities of his life and personality.

  Abstract
  Biopics of writers abound in cinema; however, of all the canonical Spanish Golden Age authors, only Lope’s biography has attracted cinematographic attention. In this paper [...]

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• Review of Tarifa Castilla, Mª José, «El convento de Nuestra Señora de la Victoria de Cascante», Cascante,VICUS, 2014, 221 pp., ISBN: 978-84-617-2795-7

  G. Olleta

  Revista Test Hipogrifo (2016). Vol. 4, (1), 1

  
  

  Abstract
  Review of Tarifa Castilla, Mª José, «El convento de Nuestra Señora de la Victoria de Cascante», Cascante,VICUS, 2014, 221 pp., ISBN: 978-84-617-2795-7

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• Review of Richard Parra, «La tiranía del Inca. El Inca Garcilaso y la escritura política en el Perú colonial (1568-1617)», Lima, Ediciones Copé, 2015, 508 pp., ISBN 978-6124-20-221-6

  G. Reyes

  Revista Test Hipogrifo (2016). Vol. 4, (1), 1

  
  

  Abstract

  Review of Richard Parra, «La tiranía del Inca. El Inca Garcilaso y la escritura política en el Perú colonial (1568-1617)», Lima, Ediciones Copé, 2015, 508 pp., ISBN 978-6124-20-221-6

  Abstract
  Review of Richard Parra, «La tiranía del Inca. El Inca Garcilaso y la escritura política en el Perú colonial (1568-1617)», Lima, Ediciones Copé, 2015, 508 pp., ISBN [...]

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